据《图片报》报道，拜仁后卫德里赫特有望在一月复出。
年青的银行人员萨姆（帕特里克•斯威兹）与未婚妻美莉（黛咪•摩尔）相爱极深，在伴侣卡尔（托尼•戈德温）的热忱帮忙下，他们搬进一幢标致的公寓，做着成婚前的筹办。某晚看戏回来时，他们遭受持枪暴徒，与暴徒奋斗时，萨姆不幸中枪身亡，美莉哀思欲尽。萨姆变作鬼魂，发现卡尔是致使他灭亡的幕后筹谋，而为了盗取银行里的巨款，他又对美莉睁开寻求，以便取得萨姆所把握的暗码。为了庇护美莉，萨姆经常浪荡于她的四周，并垂垂地学会了若何利用气力，但他苦于没法同美莉交换。在能与鬼魂沟通的灵媒奥塔的帮忙下，他与美莉获得联系，但美莉开初其实不相信，直到事实令她感触感染到萨姆的存在，可是，深深相爱的两人仍没法直接接触和交换。
《八佰》的成功不仅是电影本身，在宣传造势上也是下足功夫
美国内部也没消停，年夜家对超等英雄戴着面具肆意法律（或说是犯罪）已感应讨厌了，爆发了多起要求当局取消超等英雄的请愿抗议，尼克松也当超等英雄是用完的夜壶，是以强迫他们退休。
A mudslide caused by heavy rain and forest clearance almost sweeps away the cabin at the foot of the wooded slope. But this is not the only upheaval in Nikitas’s life. Shortly after the landslide, a man on an off-road motorbike es racing through the forest and stops in front of Nikitas’s cottage. For the first time in twenty years, Nikitas’s son Johnny stands before him, demanding the inheritance that was left to him in his mother’s will, namely, fifty percent of the land on which the reclusive Nikitas is now living. At first, Nikitas ignores his son. But there is also a pany that is after the land; called simply “the monster” by the villagers, the firm wants to build a road here. To prevent the muddy ground from being pulled from under their feet, father and son have to dig deep into it. Together.Director Georgis Grigorakis sets his rain-drenched woodland Western against a majestic backdrop and finds robust yet tender images to tell this tale of rapprochement between two men. A story of resistance more powerful than the strongest excavator.
音乐喜剧《鳄鱼莱莱》1150万美元开画居亚，大卫·O·拉塞尔执导的全明星阵容新片《阿姆斯特丹》650万美元位列季军，票房惨败
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